
The preview of Project #10 went very well and I am very pleased with the feedback I have had from people that came and braved the freezing conditions inside and out.
I spent the morning on Saturday with a friend cleaning out the spaces not only of unwanted furniture and junk but builders rubble and even water spillage in the hallway, this was a real live demolition site. It was not too bad and the space started to feel good. The afternoon was spent installing and I found the process very interesting as I was having to get a feel of the space as things developed. Usually some prior visits to the site would allow planning of positioning of the different units but I had a tight time frame and had to make fast decisions. Some works were displayed on the floor of the large room and the tv speaker and drawing were in the smaller room. It was the shortest day which brought interesting symbolic reading not only in the work but also aspects of the building and the part natural light played on the objects. I had been interested in the way the natural light hit the painted surfaces as I am wanting to make use of it in Auckland.
The twelve turntables were spectacular and had a very soothing calmness about them in stark contrast to the noise coming from the other room which I had set up with the intention of it being an agitation, a defiant gesture. I am sure the audience were confronted by it and I think I succeeded in causing a chaotic irritation. The film was again silent in contrast to the recording and I have become interested in the balance between these opposing factors, almost competing.
I can now clearly see the changes i need to make before the seminar and I have really enjoyed having this feedback before hand. I am definately going to make another soundtrack and would like to turn it into an instruction piece. The drawings will most probably be in the form of a live event in the studio in Auckland and I have been working on large paper surfaces to find out what and what not to do with the objective of having a reliable outcome.
The performance and installation process is coming to fruition now after months and months of processing and it is very satisfying witnessing connections and development of that process.
I have a great sense of satisfaction that some of the work is complete and also knowing what lies ahead niether of which could have been foreseen without the Trades and Labour Hall show.