This culture of use implies a profound transformation of the status of the work of art: going beyond its traditional role as a receptacle of artist’s vision, it now functions as an active agent, a musical score, an unfolding scenario, a framework that possesses autonomy and materiality to varying degrees, its form able to oscillate from a simple idea to sculpture or canvas (Bourriaud, 2002, p. 20).
I always enjoy and can be unplifted by a day painting such as today, everything went well and I am very pleased with the colour. Time to order paint.
Bourriaud, N. (Ed.). (2009). Altermodern. Tate Triennial. London: Tate Publishing.
Belcher, R. (2009). Painting, Exile and Return (The New Frontiers of Modernity) Unpublished MFA dissertation. Whitecliffe College of Arts and Design, Auckland, New Zealand.
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